The character designs have more of a 'pop' to them as their hairstyles, color & detail seem more 'movie exclusive'. The animation for this episode is very unique as it almost resembles a different studio even though it's still animated by Toei. Meanwhile Nube's seal is getting weaker as Hell itself will soon feast itself on Earth. The story behind this OVA is a very creepy one but manages to deliver a heartwarming ending as Nube discovers the grief behind this girl.Įpisode 3: THIS IS THE BEST ONE!! A demon named Zekki has come from the 6th level of Hell in order to rescue his brother Baki from Nube's seal. Overall alright episode as it displays the affection the students have for their teacher Nube.Įpisode 2: A young ghost girl enters the dreams of Nube's students in which they must listen to complicated instructions on a path to find her harmonica, however if one takes the wrong path, they'll forever rest in peace. Nube is nearly captured by the ghost as he extracts his soul in the form of a boy Together with his students, Nube must regain his body, save the children, & exorcise this phantom. The same goes for the OST being new & performed by Masamichi Amano whose done soundtracks for several OVAs, however the biggest highlight is the last episode which will be explained in more detail down below.Įpisode 1: Students have been disappearing around campus which is the act of a ghost that hides in the walls. Episodes 1 & 2 feel like extended Nube episodes, however Episode 3 has the feel of a movie.Īs expected of OVA series, the animation is of higher quality which is more noticeable in the prologue & some scenes. As predicted, we find that words and concepts associated with the least constrained nodes in the text network were significantly more likely to be associated with the war, action, and biography genres and significantly less likely to be associated with the mystery, science-fiction, fantasy, and film-noir genres.Its recommended to watch the anime first as the OVA takes place after key events of the series. We then empirically test whether words and concepts associated with the most influentially-positioned nodes are consistent with themes common to war-film genre. Specifically, we first use genre expectations theory to establish prior expectations as to the key themes associated with war films. In this study we demonstrate a deductive approach that we apply to the screenplay of American Sniper, an Academy Award nominee for Best Adapted Screenplay in 2014. Recent research has relied on inductive approaches to identify these themes. Its key insight is that the position of words and concepts in a text network provides vital clues to the central and underlying themes of the text as a whole. Network Text Analysis (NTA) involves the creation of networks of words and/or concepts from linguistic data.
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